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%%%%%  MASTER TEMPLATE FOR LILYPOND WORKS                                             %%%%%
%%%%%  SEE ALSO:  ~/Documents/Music/LilyPond Works/LilyPond Common Modifications.txt  %%%%%
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\header {
	title = "Articulation Studies"
%	subtitle = "Subtitle"
%	poet = "Poet"
	composer = "Scott Russell"
%	meter = "Meter"
%	opus = "Opus"
%	arranger = "Arranger"
%	instrument = "Instrument"
%	dedication = "Dedication"
%	piece = "Piece"
%	copyright = "Copyright"
%	tagline = "Tagline"  %% defaults to LilyPond credit
}

%%%%%  MUSIC GOES HERE  %%%%%

MozartTriplets = \relative c'' {

	\time 12/8   %% set time signature
	\key c \major   %% set key signature
%%  \clef treble   %% set clef
%%	\override Score.TimeSignature #'transparent = ##t   %% hide time signature
	\override Score.BarNumber #'transparent = ##t   %% hide bar numbers
%%	\cadenzaOn   %% turn on "cadenza" mode ... no automatic bar lines
%%	\set Staff.printKeyCancellation = ##f   %% do not cancel keys at end of lines
%%  \set Score.skipBars = ##t   %% create multi-measure rests
%%	\set Score.markFormatter = #format-mark-box-letters  %% use "\mark \default" to create rehearsal letters
	\override Staff.TimeSignature #'break-visibility = #'#(#f #t #t)    %%  end of line, middle of line, beginning of line
%%	\set Score.barNumberVisibility = #(every-nth-bar-number-visible 5)  %%  show every 5th bar number
%%  \override Score.BarNumber #'stencil = #(make-stencil-circler 0.1 0.25 ly:text-interface::print)  %%  circle the bar numbers

%% Add a tempo marking (Andante moderato) and a metronome marking
%% \once \override TextScript #'extra-offset = #'( -2.0 . 2.0 ) c2.\p^\markup { "Andante moderato (" \note #"4" #1 " = 66)" }


%% Add just a metronome marking (quarter = 66)
%% \tempo 4=66



	c8 ( g' ) e-. c ( e ) c-. g ( c ) g-. e ( g ) e-. | c8 ( g' ) e-. c ( e ) c-. g ( c ) g-. e ( g ) e-. | c2. r2. \bar "|."
}


TillArpeggios = \relative c'' {
	\time 6/8   %% set time signature
	\key c \major   %% set key signature
	\override Score.BarNumber #'transparent = ##t   %% hide bar numbers
	\override Staff.TimeSignature #'break-visibility = #'#(#f #t #t)    %%  end of line, middle of line, beginning of line

	c8 g e g c e | a g e c g e | c4. g4. | c,4. r4. \bar "|."
}


MendelssohnScottish = \relative c'' {
	\time 4/4   %% set time signature
	\key c \major   %% set key signature
	\override Score.BarNumber #'transparent = ##t   %% hide bar numbers
	\override Staff.TimeSignature #'break-visibility = #'#(#f #t #t)    %%  end of line, middle of line, beginning of line

	\partial 16 g'16 | g16 c, c e e g, g c c e, e g g c, c g' | g16 c, c e e g, g c c e, e g g c, c r16 \bar "|." 
}


HaydnHornsignal = \relative c'' {
	\time 4/4   %% set time signature
	\key c \major   %% set key signature
	\override Score.BarNumber #'transparent = ##t   %% hide bar numbers
	\override Staff.TimeSignature #'break-visibility = #'#(#f #t #t)    %%  end of line, middle of line, beginning of line

	c16 e g e c e g, c e, g c, e c,4 \bar "|."

}



%%%%%  PUT IT ALL TOGETHER  %%%%%

\score {
	\MozartTriplets
	\header {
		piece = "Mozart Triplets"
	}
}


\score {
	\TillArpeggios
	\header {
		piece = "Strauss Till Arpeggios"
	}
}


\score {
	\MendelssohnScottish
	\header {
		piece = "Mendelssohn Scottish"
	}
}


\score {
	\HaydnHornsignal
	\header {
		piece = "Haydn Hornsignal"
	}
}


\markup {
	\wordwrap {
		Transpose each of these studies up to Horn in B\flat alto and down to Horn in B\flat basso and every key in betweeen.
		}
}


\layout {
	%%%  INSERT LAYOUT OPTIONS HERE  %%%
}


\paper {
	#(set-paper-size "letter")
}



\version "2.12.2"  % necessary for upgrading to future LilyPond versions.