\header {
%	title = "Prˇlude non mesurˇs"
	title = "Opus 27, No. 32"
%	composer = "Jacques Fran¨ois Gallay (1795 - 1864)"
%	arranger = "Scott Russell, editor"
	composer = "J.-F. Gallay / S. Russell, editor"
}

\version "2.11.2"

melody = \relative c'' { 
\key g \minor
\override Staff.TimeSignature #'transparent = ##t
\override Score.BarNumber #'transparent = ##t
\cadenzaOn

% #### NOTES GO BELOW HERE ####

% #### Line 1 ####

d1 ( cis16 [ d ees d cis d ) ] a ( [ bes c bes a bes ) ] fis4 ( g8 ) \breathe

bes16\noBeam fis4 ( g8. ) [ d'16 ] a4 ( bes8 ) [ r16 g'16 ( ] fis16 [ g cis, d a bes fis! g ) ] ees1 \breathe

\bar "" \break


% #### Line 2 ####

c'4. ( a8 ) g4 ( fis!8 ees'4 d16 [ c ) bes ( a ) ] g4 ( fis! ) \breathe

\stemDown
a8. ( [ \grace { bes16 [ a g a ) ] } bes16 ]

c8. ( [ \grace { d16 [ c b c ) ] } d16 ]

\stemNeutral
ees4 ( d16 [ ees d ees d ees d ] f8. [ ees16 ) ]

ees8 ( [ d-3 ) c ] c ( [ bes-3 ) a ] c4 ( bes )

\bar ":" \break
\override Staff.TimeSignature #'break-visibility = #end-of-line-invisible

% #### Line 3 ####

\cadenzaOff
\revert Staff.TimeSignature #'transparent
\time 6/8

\once \override TextScript #'extra-offset = #'(-4.0 . 1.0) 
g16^\markup { \italic Moderato } ( [ bes ees d cis d ) ]

a16 ( [ bes c cis d c ) ] |

bes16 ( [ d g f! e f ) ] c16 ( [ d ees e f ees ) ] |

d16 \breathe

\bar "" \break


% #### Line 4 ####

d16 ( [ cis d ees! d ] g ) [ c, ( b c d c ] | 

f ) [ bes,! ( a bes c bes ] ees ) [ a, ( gis a bes a ) ] |

d16 \breathe

\bar "" \break


% #### Line 5 ####

d16 ( [ cis d ees! d ] g ) [ c, ( b c d c ] | 

f ) [ bes,! ( a bes c bes ] ees ) [ a, ( gis a bes a ) ] |

d16 \breathe

\bar "" \break


% #### Line 6 ####

g,16\< ( [ fis g a g ) ] b [ g ( fis g a g ) ] |

c16 [ g ( fis g a g ) ] d' [ g, ( fis g a g ) ] |

\override Script #'padding = #1.4  %%  lift the fermata off the top of the staff
e'2.\f\fermata

\break


% #### Line 7 ####

e,16 ( [ dis e ) g\staccato bes\staccato cis\staccato ] e4 cis?16 [ bes ] |

g16 ( [ fis g ) bes\staccato cis\staccato e\staccato ] g4 \breathe e!16 [ cis ] |

bes16 ( [ a bes ) cis\staccato e\staccato g\staccato ] bes4. ~ ( |

\break


% #### Line 8 ####

bes16 [ g ) e\staccato cis\staccato bes\staccato g ( ]

g'16 [ e! ) cis!\staccato bes\staccato g\staccato e\staccato ] |

d8\staccato d'4\accent \breathe e,8\staccato d'4\accent |

fis,8\staccato d'4\accent g,8\staccato d'4\accent |

a8\staccato d4\accent bes8\staccato g'4\accent |

c,8\staccato g'4\accent cis,8\staccato g'4\accent |

d2.

\break


% #### Line 9 ####

r16 g,16 ( [ a bes c! cis ) ] d16  [ g, ( a bes c! cis ) ] |

d16 \breathe g,\noBeam ( [ a bes b c! ] cis [ d ees e f fis ] |

g16 [ fis f e ees d ] cis16 [ c b bes a g ) ] |

\acciaccatura bes8 a2.\trill ~ | \noBreak \cadenzaOn a2.\trill ( \grace { g16 [ bes a ) ] }
\cadenzaOff
\bar "|" \break


% #### Line 10 ####

g16 \breathe d'16\noBeam ( [ cis d ees d ) ] fis,16 [ d' ( cis d ees d ) ] |

g,16 [ d' ( cis d ees d ) ] fis,16 [ d' ( cis d ees d ) ] |

g,4 r8 g16 ( [ bes ees d cis d ] |

g4 ) r8 r4.

\bar "|."


% #### NOTES GO ABOVE HERE ####

\cadenzaOff

}

\score {
	\new Staff \melody
%	\layout { }
}