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current exhibitions

Expanding the Boundaries: Selected Drawings from the Yvonne and Gabriel P. Weisberg Collection

O'Shaughnessy Galleries II and III
January 17—February 28, 2010

This traveling exhibition organized by the Minneapolis Institute of Arts features approximately fifty drawings, watercolors, and pastels selected from the superb collection of Minnesota collectors Gabriel and Yvonne Weisberg. The exhibition was curated by Lisa Michaux, Ph.D. curator of Prints and Drawings, the Minneapolis Institute of Arts. Dr. Michaux and Dr. Weisberg co-authored the exhibition catalogue.

The exhibition and the accompanying catalogue were made possible with support from The Andrew W. Mellon Foundation Exhibitions Endowment Fund. The installation in the Snite Museum is supported by the Snite Museum General Endowment.

The Weisbergs began collecting drawings more than thirty years ago, with a focus on works by realist and naturalist artists working in France and Belgium in the late nineteenth and early twentieth centuries. The exhibition will introduce artists such as Adolphe Appian, François Bonvin, Edgar Chahine, Louis Weldon Hawkins, Auguste Lepère, Léon Lhermitte, Charles Milcendeau, and Théodule Ribot.

The Weisbergs are committed to acquiring drawings that focus on the plight of workers – weavers, tanners, and miners are represented – and that provide fresh, unglorified glimpses into rural life and customs.

The works on paper range from meticulously executed charcoal studies to loose watercolor sketches, from layered pastels to sheets that combine multiple mediums in innovate ways. From initial sketches for mural designs to highly finished compositions intended for Salon showings, the drawings gathered here represent bold techniques and even bolder themes. They call into question traditional assumptions of what constitutes a nineteenth-century drawing and go far in expanding the visitor’s view of this vital period in the history of art.

Gabriel and Yvonne Weisberg have been invited to visit campus to discuss their collection on Friday, February 26.

Henri Gervex (French, 1852--1929), Study for The Civil Marriage, 1881
Study for The Civil Marriage, 1881
Henri Gervex (French, 1852--1929)
black and white chalk on tan wove paper
Collection of Yvonne and Gabriel P. Weisberg
L2007.089.045

The World of Piranesi: A Multi-Disciplinary Approach to Learning

Scholz Family Works on Paper Gallery
January 17—February 28, 2010

This exhibition and related events will be partially funded by a Learning Beyond the Classroom Faculty Lead Grant awarded by the Office of Undergraduate Studies and the Institute for Scholarship in the Liberal Arts.

A multi-disciplinary approach to learning will be presented in this exhibition of ten etchings by Giovanni-Battista Piranesi (Italian, 1720-1778), particularly directed towards students of Italian and architecture. In a series of practical, hands-on tasks, students will choose the prints for display, write descriptive wall-texts in Italian and English, prepare and act dialogues and skits in Italian, and make sketches of their own interpretations of Piranesi’s designs.

In preparation for the exhibition, working with Lance Askildson, director of Notre Dame’s Center for the Study of Languages and Cultures, students will create a website for their sketches and written commentaries on Piranesi’s work. Giovanna Lenzi-Sandusky, professor of Italian language, will make the study of Piranesi’s art and its influence be the cultural component of her Italian language classes in the fall semester of 2009.

Please visit the collaborative website for more information and to view the ND students' efforts related to this project, http://piranesi.nd.edu

Click on this link to view the brochure illustrating the ten prints on view in the Snite Museum exhibition.

Bill Kremer in Kiln with pieces for Sculputral Vessels show
Giovanni Battista Piranesi (Italian 1720-1778)
Arch of Titus 1760
etching 20.25 x 28.25 inches
(51.40 x 71.80 cm)
Gift of Rica and Harvey Spivack
2006.008.003

Markings: Koo Kyung Sook

Milly and Fritz Kaeser Mestrovic Studio Gallery
January 24—March 7, 2010

Korean born artist Koo Kyung Sook created this set of six prints on handmade mulberry paper by applying photographic developing solution to fabric that was placed over sheets of photographic paper—and then lying atop the fabric. Impressions made by the weight and movement of her body were then scanned and printed by an inkjet printer.

Commenting on her process Chung Hwan Kho observed, “Although she borrows the computer to increase scale, the images cannot be placed in the category of digitally generated art. For the most part, her method falls outside existing photographic categories and might best be called bodygraphs. Regardless how we might choose to label the work [it] presents a new synthesis of her unique and introspective investigation of the body, identity, and existence.”

The artist will talk about her work during a Friday, February 19, 5 to 7 p.m. reception.

Giovanni Battista Piranesi, Italian 1720-1778, Arch of Tituscopy by Eric Nisly

Marking No. 7-4, 2007
Koo Kyung Sook
Korean, born 1960
inkjet print on handmade mulberry paper
73.125 x 35.625 inches (approximately)
one of six in a series
Acquired with funds provided by the Walter R. Beardsley Endowment
for Contemporary Art
2008.035.004

 

 

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