Y
Little letter I could not love. Vowel & consonant, chromosome & question. How frugal and elusive you have been! Always the middleman: xyz, xy, never the workers or the bourgeoisie. Also the musicman: xylophone & lyre. At times I find your histrionics almost unbearable—a new age of womyn & wyne. Too haughty for the twenty-fifth place, you stand like V on a stilt, on a pedestal stair, touting your yowling message. Inverted tripod. Impotent slingshot. (David’s one-time triumphant tool.) And what a spy you are, your cunning infiltrations: dys-trophy, dys-functional, dys-phoria. How could I ever catch you? Stealthy somnambulist, chameleon of stick limbs & curlicues. You reduce nouns to improper adjectives with these easy recipes: smirk-y, pith-y, weight-y, greed-y. Lad into lady. That’s your fix, your sing-song-y resonance. Usurper of the second person. Pseudonym for stranger. You and yours assaulting me and mine through triangle lips split open. isosceles. Take your tuning-fork face and turn it into the light. Make your inquiry, outspoken and asinine. Yawn, yang, yammer. An active force in the universe. Tell me I’m boring you. Call me yellow. Tempt me with yams, sweetened to marshmallow pudding. Or come in second: axis, coordinate, unknown quantity. Occasionally, impressed with your arrogance, I’ve let you yo-yo me—lift up my skirts, my songs, buoy me again in the wrong direction. Invention: the crafty voice in the back of the head, making suggestions. Or the picture on the grade school wall, building associations. Y is for yak, a long-haired, humped Tibetan ox, and you who are never what you are.
*Winner of the Chicago Literary Award for Poetry, 2004 (Albert Goldbarth, judge); published in Another Chicago Magazine, Volume 44+45, Text and Image, 2004
Return from Presque Isle
Like a lover at the outset—sun
un-eclipsed by cloud—pleasure resting infinite
in possibility—so rare a lack
the hypothetical act by which one is, hypothetically,
altered. And so this morning and this
afternoon and especially as the evening
came upon us with its plush, red mouth—
I consented to a wish, as once, beneath
your body, I consented to a sleep surpassing
consciousness. And when I woke, alive
in a land without water, without the gull-birds,
the broken shells, and that stench of fish that
slowly (still) fades from my clothes, I thought
for a moment, “We will die here.” Now, the night
blushing purple beside us, the moon rising sleek
and cat-like beyond us, and your hand curving
a crescent to the side of my face, I think
for a moment, we will live.
*Published in Issue #154 of Cimarron Review, Winter 2006.
Law of Parsimony
As I have studied science,
I have studied men, and loved them also—
my cursory diligence, abstracted tenderness:
in the morning, wake to heresy or
sorrow.
It takes me awhile, being back in the world again:
longings unspooled and artfully rethreaded
It takes me awhile to remember even this is optional
But what I admire—
what fetches me time and again to the laboratories
and the ball fields and the solitary morning
strolls
of Man and Dog or Man with Coffee in Hand and
Dog
is the aspiration of both disciples and discipline:
the science
of men, the men of science:
toward
simplicity, precision.
It takes me awhile to remember that mating is no longer required
And I think of the beauty pageant
when I was only thirteen,
of my mother winding
my
hair over hot rollers’ sticky spikes
my
body shrinking right before our eyes
That
was Ockham’s Razor also
shaving my legs until, bare and bony, they bled
stripping the hair away from
my under-arms
and
the tender tops of my toes
Turning sallow then, my breath tucked in,
Vaselined teeth and yellowing nails: cut down
to size
pink lace and white ruffles cuffing me
tight
scrutiny
of a Marriott’s worth of strangers
That
was Ockham’s Razor also
It takes me awhile to let the tears drain out of my lungs:
to breathe again: alive and exonerated
And I think of how it really did look simple on paper:
a marriage license for sixty bucks and
bumming
a cigarette from the city worker watching
the door
“What’d ya want to get married for?”
with his scruffy chin and
his pretty eyes and his patience,
waiting
for me to reply
A slew of answers:
Because it’s easier
to vote the party line
Because even cable is never
a la carte
Because I’m a writer: I understand
about sentences,
dependent
clauses, conditional and subordinate terms
And because I have memorized precisely what
I am supposed to want
(They don’t
call it a steel trap for nothin’)
Something about parents and needing to please them, or defy them;
something about safety and needing to
seek it at all costs;
something about
other people understanding that I had been wanted,
and
sought after, and heartily desired
It takes me awhile to remember, under penalty of perjury, the old Natural Law
What can be said of the beloved: percussion of her body’s praise, deep
mysterious music that undergirds
these syllables but cannot be translated
into
speech: syncopation, improvisation…
And what can be said of the world, with its bristles and Brill-o pads and
either/or
boxes: that the simplest answer is always the best? that
accuracy
can be calculated, quantified and contained?
What then of desire’s capacity to surprise us, of the improbable majesty
of the willow-tree and the comforting
disquietude of the storm?
The science is impersonal, without eyes. The men are lovely sometimes,
but trained
the way snipers stalk through
the wild: a single target in a circular outline:
circumference
no greater than a dime…bull’s eye
It takes me awhile: to collect myself and my follies and the ivy-twined inquiries of my mind.
It takes me awhile. She knows this. In her own intricacy: unabashed and labyrinthine: she sees.
*Published in Phoebe, volume 36, issue 2 (Fall 2007); current Pushcart Prize nominee