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Professor
Department of Film, Television, & Theatre
College of Arts & Letters
University of Notre Dame
230F DeBartolo Performing Arts Center
Notre Dame, IN 46556
(574) 631-7171 (office)
(574) 243-9914 (home)
e-mail me
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Mark C. Pilkinton, Ph.D. Professor Department of Film, Television, & Theatre College of Arts & Letters University of Notre Dame 230F DeBartolo Performing Arts Center Notre Dame, IN 46556 (574) 631-7171 (office) (574) 243-9914 (home) e-mail me
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B.S., University of Memphis, 1969; M.A., University of Virginia, 1971; Ph.D., University of Bristol (England), 1975
Marie B. DeBartolo Performing Arts Center
Records of Early English Drama: Bristol
“The Effect of the Reformation on the Antagonists in English Drama,” The Journal of Religion and Theatre, 6:1 (Summer 2007), 48-55.
“The Easter Sepulcher at St Mary Redcliffe, Bristol, 1470,” in The Dramatic Tradition of the Middle Ages, ed. Clifford Davidson (New York: AMS Press, 2005), 25-27.
"From Picture to Word to Picture in Tudor and Stuart England: Getting to the Word" and "The True Temptation of Christ: 'To Suffyr temptacion it is grett peyn'" Theatre and Religion 4, Summer 2001, 25-32 & 176-184.
"Reducing 'Theatre of Human Sacrifice' on Your Campus," Religion and Theatre, Summer 1998, 2-13.
Bristol: Records of Early English Drama, ed., (Toronto: University of Toronto Press, 1997), lxxxvii + 384 pp.
"Simultaneous Staging and the Cornish Cycle," Essays in Theatre/Etudes Théâtrales, 11:2 (May 1993), 167-71.
"Playing in the Guildhall, Bristol," Records of Early English Drama Newsletter, 14: 2 (1989), 15-19.
"Entertainment and the Free School of St Bartholomew, Bristol," Records of Early English Drama Newsletter, 13: 2 (1988), 9-13.
"Pageants in Bristol," Records of Early English Drama Newsletter, 13:1 (1988), 8-11.
"New Information on the Playhouse in Wine Street, Bristol," Theatre Notebook, 42:2 (1988), 73-75.
"The Playhouse in Wine Street, Bristol," Theatre Notebook, 37:1 (1983) 14-21.
The Antagonists of English Drama Before 1576, (Ann Arbor: Xerox University Microfilms, 1982). 441 pp. [revised version of Ph.D. dissertation].
"Dispersal and REED," Records of Early English Drama Newsletter, 6: 2 (1981), 12-13.
"The Significance of the Trial Scenes in Ondine and The Madwoman of Chaillot," Modern Drama, 22:2 (June 1979), 109-114.
"The Raising of Lazarus: A Prefiguring Agent to the Harrowing of Hell," Medium Aevum, XLIV:1 (1975), 51-53.
Spurt of Blood, Wings, Antigone, The School For Scandal, Choosing Rick, Barefoot in the Park, Christ's Passion: Medieval Mystery Plays, Ah, Wilderness!, Our Town, Accidental Death of an Anarchist, Twelfth Night, Good, The Tempest (with Robert Stormont), We Won't Pay! We Won't Pay!, Abraham & Isaac, Blithe Spirit, The Mousetrap, The Mandrake, Everyman, The Second Shepherds' Play, Hymn to the Rising Sun, Oedipus Rex, Animal Farm, The Contrast, Murder in the Cathedral, The Piccadilly Two-Stroke
Maintained by Mark Pilkinton
PLAYS DIRECTED
NOTRE DAME THEATRE CHRONOLOGY
created 13 March 2001; updated 26 July 2011