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Eric Gudas

 

Dominion

 

A thin slab of slate is laid across
the tin bucket full of ashes. Along its edge
moves a line of tent caterpillars, fuzzy
and stubborn, on their way somewhere. They lift
their sectioned bodies
into the air, swaying far
above the dirt and grass—rows of undulating legs groping
for the next solid crossing. Not ten
or tweleve of them, but hundreds, probably
thousands writhe and twist on the slate, the grass, the steps
to this house, and lower themselves down from the trees around it: silent
and sightlessly persistent. Not in praise
or emulation do I defer to them—this one
climbing the crinkled silver rayon of my pants—but in
defeat, my arms laid down, I watch them crawl
from the grass to the wall and up through the window into this poem.

 

 

My Mother's Handwriting
 

After her mother died
I started saving every scrap of paper
with my mother’s handwriting on it:
little notes, postcards, random directions
inside used matchbooks, dates scrawled
in afterthought on black-and-white snapshots.

I had seen my grandmother
deep in sickness: tubes slinking out from under
the white gown, her slack skin yellow
and purple in patches, her mouth thin,
heaving past consciousness for the stale
hospital air. At the mortuary

I saw my mother looking as if the breath
had been pressed from her: she stood there staring,
not sure how to move in a world without
her mother in it. Right then I looked at her name
in the guest register: its steady, mature cursive,
strokes and loops I’d never really

seen before. I could not imagine the one whose hands
had held the pen wasted, and then laid out
like that. I did not want to. I do not want to
ever not see her before me—talking with, looking
at or away from me. I watch my futility
pile to the ceiling: scribbled-on receipts and old address books

rising around me, though they do not protect me…Those inky curves
will not replace her unbreathing body—even the opened
envelope-flaps her living tongue has passed across.