Tuesday, February 26, 2008

Harvey Mansfield

http://tvworldwide.com/events/neh/070508/default_no_captions.cfm?ID=8678&type=wmlow
2007 Jefferson Lecture in Humanities
"How to understand Politics: What the Humanities can say to Science"
Harvery Mansfield, William R. Kenan, Jr. Professor of Government at Harvard University
http://www.people.fas.harvard.edu/~hmansf/

"Human greatness is the height of human importance, where the best that humans can do is tested, and it is the work of great individuals. The great Tocqueville—and I refuse to give a lecture on politics without mentioning his name—alluded to himself and his favorite readers as “the true friends of liberty and human greatness.” Somehow liberty and human greatness go together, a hint that nature cares only for the human species and leaves its greatness to be revealed by free human action, by our assertiveness prompted by thumos. To be great one must become great, requiring an effort of ambition. Not everyone has that ambition; most of us are content with modest careers in safe niches, like tenured professors. But we all feel ambition in our small ways, and, moreover, we know something of great ambition when admiring it. Now it may be hard to believe, but I must tell you that the political science of our day almost entirely ignores ambition. It is, for example, anxious over the problem of how to recover our spirit of civil engagement, but it looks mostly at what moves most people to vote, which it calls by the vague term “participation.” The trouble is that ambition smacks of greatness; it is not average enough to be the object of a science that knows nothing of individuality, hence nothing of greatness. Even the word “great” is unscientific because it is pretentious. But we human beings are animals with pretensions."

Monday, February 25, 2008

Our Recording of Handel's Serse

"We are delighted to initiate our project with this recording of Serse. What better way to experience this sublime opera than with these fine forces under the baton of Nicholas Andersen, whose wisdom, insight and determination are inspirational. All of us present at the recording sessions felt that we were learning yet more about Handel's work. I hope that this recording will give equal pleasure to both 'new' and 'experience' ears."

Peter Garrett, Representative sponsor for Handel's Work in English Project launched by Apostles' Club.
December, 2007

Serse, HWV 40, 2 hr 48 min,
Composer : George Frideric Handel (1685 - 1759)
Conductor : Nicholas Andersen
Ensemble : The Ockeghem Choir (Music Director : Chanseok Park) , Janacek Chamber Orchestra.
Performer : Ki Hyuk Yee (Harpsichord)
Eva Lascarro (Mezzo Soprano - Serse)
Catherine Park (Soprano - Romilda)
Jihyun Gahng (Soprano - Atalanta)
Anna Karlowicz (Mezzo Soprano - Amastre)
David Thomas (Countertenor - Arsamene)
Paul Horowitz (Bass - Elviro)
Simon Eagleton (Bass Baritone - Ariodate)
Recorded in Mar 10,11,12, 2006.

Vocal and language consultant : Charles Kilpatrick
Translation research: Jinsun Yi, Jooseok Park, Lisa Naouri, Ekaterina Yakubovich, Sandrine Allegri.
Dialogue director: Matthew Common
Photographs by Merritt Kichul Kim
Recording producer Brian Cooper
Sound engineer Michael Couzens
Assistant engineer Sue Cooper
Design Tim Partridge
Booklet typeset Kara Feeley
Booklet editor Jonathan Shortridge

Sunday, February 24, 2008

Recordings

Dvorak, Rusalka, Cheryl Barker / Australian Opera / Richard Hickox, Chandos.
Cheryl Baker does not have the sparkling voice of Rene Flaming on Decca (Who has?), but she is more touching in delivering Rusalka's desperation.

Schumann, Songs vol. 10, Kate Royal, Hyperion
Kate Royal's pure and pellucid tone in the he popular Eichendorff Liederkreis, dubbed by the composer “my most romantic music ever” makes this disc Another Schumann must.

Handel, Esther, London Handel Choir; London Handel Orchestra/Laurence Cummings
This live concert performance frm Handel's parksh church St George’s, Hanover Square is essential trat for Handelians.

Schumann, Humoreske & Piano Sonata, Angela Hewitt, Hyperion.
With a sure sense of structure and pace of the work, Hewitt leads us to thoughtful, thought-provoking, finely finished and intricantly nuanced peformance.

Mahler, Das Klagende Lied, San Francisco Symphony Orchestra; San Francisco Symphony Chorus/Michael Tilson Thomas, Avie.
This vividly executed reading from Michael Tilson Thomas brings Mahler’s innate theatricality for you.

Wednesday, February 20, 2008

a Fascinating artist of our time

Could Saskia Lode Wolbers beome a fascinating artist of our time?
I said "Seem so."

Q&A with Saskia Olde Wolbers : http://www.artsjournal.com/man/2008/02/qa_with_saskia_olde_wolbers.html


Saskia Olde Wolbers (Born 1971, Breda, Netherland), Placebo, 2003

Tuesday, February 19, 2008

REAL DIFFERENCES BETWEEN OBAMA, CLINTON.

http://www.nytimes.com/2008/02/20/world/americas/20cuba.html?_r=1&hp&oref=slogin

Where Obama and Clinton stand on Future U.S. policy toward Cuba?

Saturday, February 16, 2008

Liberty

"The 'positive' sense of the word 'liberty' derives from the wish on the part of the individual to be his own master. I wish my life and decisions to depend on myself, not on external forces of whatever kind. I wish to be the instrument of my own, not of other men's, acts of will. I wish to be a subject, not an object; to be moved by reasons, by conscious purposes, which are my own, not by causes which affect me, as it were, from outside. I wish to be somebody, not nobody; a doer - deciding, not being decided for, self-directed and not acted upon by external nature or by other men as if I were a thing, or an animal, or a slave incapable of playing a human role, that is, of conceiving goals and policies of my own and realising them. "

Two Concepts of Liberty, Isaiah Berlin.

Wednesday, February 13, 2008

Obama Talks on Trade to Win Wisconsin

Obama's full speech at the Janesville GM Assembly Plant
http://my.barackobama.com/page/community/post/samgrahamfelsen/Cmzm

"(When) I am president, I will not sign another trade agreement unless it has protections for our environment and protections for American workers. And I'll pass the Patriot Employer Act that I've been fighting for ever since I ran for the Senate--we will end the tax breaks for companies who ship our jobs overseas, and we will give those breaks to companies who create good jobs with decent wages right here in America."

This speech sounds like Obama would be a strong advocate for the fair-trade policies favored by labor and greener. I am still skeptical about whether or not Obama might be nothing but the populist.

I should check what distinguishes Obama from Clinton on trade. Understanding why Obama favors Peru Free Trade Agreement would be critical to understanding where Obama is on trade and economic issues.

Sunday, February 10, 2008

Films, January - February in 2008

1. Last Year at Marienbad, Alain Resnais, 1961


Gorgeous! Captivating! Eternally avant-garde!
one of the most inspiring films (as well as one of the most reviled).

2. Still Life, Zhang Ke Jia, 2006.


Everything is despoiled, but in Yu Lik-wai's rich, crisp HD image, Everything is beautiful.

3. Woman on the Beach, Sang-soo Hong, 2006
A rueful tale of karmic irony.

4. My Mother's Smile, Marco Bellocchio, 2005
It's wonderful to see this veteran auteur still grappling with the ideals of May '68 in a world.

Thursday, February 07, 2008

Wish List



Haydn, Die Schopfung, Les Arts Florisants/William Christie, Virgin.
I have no doubt this would be a reading full of character and imaginative ideas, very much a conscious modern interpretation of the work and very finely executed.

Dvorak, Rusalka, Australian Opera and Ballet Orchestra/Richard Hickox, Chandos.
Surely, Mackerras' reading of Dvorak's Rusalka is the first choice. Even though Mackerras has superb starrier voices like Renee Flaming, inevitably there is limited rapport between them and their non-Czech listeners, especially me. This new English version of this work would be in every way competitive with Mackerras' recording. Hickox and his Aujstralians might captures all the sparkiness of live performance without the usual excessive dryness of an opera house accoustic as they did in their recording of Prokofiev's the Love for Three Oranges.
I do not doubt I could understand and fully enjoy the beautiful fairy-tale which tells of a water-spirit who falls in love with a prince.

Handel, Semele, Early Opera Company/Christian Curnyn, Chandos.
There are no entirely satisfying recording of this work though Gardiner’s 1981 Erato set might have been if had not cut around 40 minutes of music.
This work - complete save for an aria for Cupid that Handel later pilfered for Hercules- seems to satisfy me.

Ockeghem, Missa Cuiusvis Toni, Ensemble Musica Nova/Lucien Kandel, Aeon.
This is a recording that was waiting to happen.

Handel, Tamerlano, Orchestra of Patras/George Petrou.
To whom are interested in the version of Tamerlano performed at its premiere, this recording deserve to be appreciated.

Mozart, Die Entführung aus dem Serail, 'The Abductio,K384. Scottish Chamber Chorus; Scottish Chamber Orchestra/Charles Mackerras, BBC/Opus Arte Media, DVD.
I have still wondered why they didn’t film a complete performance. From Sir Charles Mackerras’s splendid CD recording, I'm sure that this should be a ravishing issue.

Tuesday, February 05, 2008

"The history of the Left has been the struggle for democracy against systems of inequality that limit and distort, attack and repress, and sometimes seek even to liquidate human potential altogether. Moreover, this is a history certainly not completed."

- Preface, Froging Democracy "The History of the Left in Europe 1850-2000", G. Eley, Oxford University Press-