Back to Main Menu

Back to Teaching

 

ALHN 196 – Honors Seminar

 

Course Description

In the second part of this year-long course we will read and discuss important works of literature, drama, philosophy, and political thought from the 17th century to the present. As in the first part of this course, the guiding questions in the background of our discussions will be what it is to be human, and how we should conduct ourselves in order to live up to our potential as human beings, and to live a good or happy life. The selected readings, more or less explicitly, provide various (partial) answers to these questions, highlighting different aspects of human nature and the human condition.

 

Readings Version I

Berthold Brecht, The Life of Galilei; Jean-Jacque Rousseau, Emile; Johann Wolfgang v. Goethe, Faust I; Oscar Wilde, The Picture of Dorian Gray; Henry David Thoreau, Walden and Civil Disobedience; Karl Marx, Friedrich Engels, The Communist Manifesto; Sigmund Freud, Civilization and its Discontents; Henrik Ibsen, A DollÕs House; Leo Tolstoy, The Death of Ivan Ilych; James Joyce, The Dead; Nietzsche, The Birth of Tragedy; Alexander Solzhenitsyn, One Day in the Life of Ivan Denisovich; Primo Levi, Survival in Auschwitz; Italo Calvino, If on a WinterÕs Night a Traveler; John Coetzee, The Lives of Animals; Tom Stoppard, Arcadia

 

Readings Version II

Berthold Brecht, The Life of Galilei; Moli?re, Tartuffe, Immanuel Kant, ÔAn answer to the question: what is enlightenment?Õ; Johann Wolfgang von Goethe, Faust I; Karl Marx, Friedrich Engels, The Communist Manifesto; Sigmund Freud, Civilization and its Discontents; Oscar Wilde, The Picture of Dorian Gray, The Importance of Being Earnest; Henry James, The Turn of the Screw, Henrik Ibsen, A DollÕs House; Leo Tolstoy, The Death of Ivan Ilych; Bernard Shaw, Pygmalion; Thomas Mann, The Death in Venice; James Joyce, The Dead; Albert Camus, The Myth of Sisyphus; Jorge Louis Borges, Selected Short Stories; Primo Levi, Survival in Auschwitz; Italo Calvino, If on a WinterÕs Night a Traveler; John Coetzee, The Lives of Animals; Tom Stoppard, Travesties

 

Films

Leni Riefenstahl, The Triumph of the Will; Alain Resnais, Night and Fog; Woody Allen, Crimes and Misdemeanors

 

Special Events

A trip to Chicago featuring a visit to the Art Institute, and attending a performance of WagnerÕs Goetterdaemmerung (version I) / Bizet's Carmen (version II) at the Lyric Opera

 

 

Policies, requirements

 

Requirements and grading

There will be four short papers (about 4-6 pages each, 15% each), an oral exam (20%), and your participation in class and through email (see below) will be taken into account as well (20%).

 

Extensions

If you are unable to hand in your work on time for a legitimate reason, we can arrange for you to submit your work at a later time. If you donÕt have a good excuse there will be an automatic late-penalty of 0.333 on the usual grading scale for every begun 3 hours of being late. (Example: if you were supposed to hand in your essay in class, and you hand it in at 5 PM, and you would have gotten an A, you will get a B+).

 

Attendance

This isnÕt kindergarten, so I wonÕt take attendance. But if you arenÕt there you canÕt participate, and if you donÕt participate your participation grade will be bad, and you wonÕt have any fun.

 

Plagiarism

Honor Code, see your academic handbook.

Please respect the honor code. Not doing so will cause a lot of unpleasantness for all parties concerned. If there is a violation, the case will be reported to the honesty committee. Detecting violations is easier than you might think. So, please, stay out of trouble.

 

Preparation

The required readings vary in lengths, depending on the nature of the material. Since our classes will mainly consist in discussing the materials covered in the readings, it is expected of you to have done the readings ahead of time. Each one of you will be asked to formulate one question, objection, or problem for each reading assignment and to e-mail it to me by 9 PM on the day before class.

 

 

Syllabus - Version I

 

Week I

Brecht, The Life of Galilei

Rousseau, Emile, book I

 

Week II

Emile, selections from books 2-3, TBA

Emile, Book 4 (all up to the "Profession of Faith of the Savoyard Vicar"), Book 5 (opening pages on men and women, summary of the argument of the Social Contract); topics for first paper will be distributed in class

 

Week III

Goethe, Faust I

Faust continued; topics for first paper will be distributed in class

 

Week IV

Wilde, The Picture of Dorian Gray, chapters 1-10

Dorian Gray, chapters 11-20

 

Week V

Thoreau, Walden, chapters 1-3

Walden, chapters 4-5, 11, 18, and On the Duty of Civil Disobedience

 

Week VI

Marx, Engels, The Communist Manifesto; first paper due in class

Freud, Civilization and its Discontents, sections I-IV; topics for second paper will be distributed in class

 

Week VII

Civilization and its Discontents, sections V-VIII

Ibsen, A DollÕs House

 

Week VIII

Tolstoy, The Death of Ivan Ilych; second paper due in class

Leftovers, or Joyce, The Dead (photocopies will be distributed in class)

 

Week IX

Spring Break

 

Week X

Nietzsche, The Birth of Tragedy, preface, sections 1-11

The Birth of Tragedy, sections 12-25, topics for third paper will be distributed in class

 

Special Events

Visit of the Art Institute, and of the Lyric Opera in Chicago. We will be seeing Richard WagnerÕs Goetterdaemmerung.

 

Week XI

Solzhenitsyn, One Day in the Life of Ivan Denisovich, pp. 1-104

Denisovich, pp. 104-203

 

Week XII

Film: Leni Riefenstahl, The Triumph of the Will; and Alains Resnais, Night and Fog

Levi, Survival in Auschwitz, chapters 1-8

 

Week XIII

Survival in Auschwitz, chapters 9-16, topics for fourth paper will be distributed in class

Calvino, If on a WinterÕs Night a Traveler, chapters 1-6 (pp. 3-139)

 

Week XIV

If on a WinterÕs Night, chapters 7-12 (pp. 140-260)

Coetzee, The Lives of Animals

 

Week XV

The Lives of Animals continued, and Reflections on The Lives of Animals; fourth paper due in class

Stoppard, Arcadia; topics for fifth paper will be distributed  in class

 

Week XVI

Arcadia continued, wrap-up

SYLLABUS VERSION II

 

Week I

Brecht, The Life of Galilei

Moli?re, Tartuffe

 

Week II

Immanuel Kant, ÔAn Answer to the Question: What is Enlightenment?Õ (photocopies will be distributed in the previous class)

Goethe, Faust I, pp. 64-257

 

Week III

Faust continued, pp. 257-421

Wilde, The Picture of Dorian Gray, chapters 1-10; topics for first paper will be distributed in class

 

Week IV

Dorian Gray, chapters 11-20

Marx, Engels, The Communist Manifesto

 

Week V

Freud, Civilization and its Discontents, sections I-IV; first paper due in class

Civilization and its Discontents, sections V-VIII

 

Week VI

James, The Turn of the Screw

Tolstoy, The Death of Ivan Ilytch; topics for second paper will be distributed in class

 

Week VII

Ibsen, A DollÕs House

Shaw, Pygmalion

 

Week VIII

Mann, The Death in Venice; second paper due in class

Death in Venice continued, and leftovers

 

Week IX

Spring Break

 

Week X

Joyce, The Dead (photocopies will be distributed in class)

Films: Leni Riefenstahl, The Triumph of the Will; and Alain Resnais, Night and Fog

 

Week XI

Levi, Survival in Auschwitz, chapters 1-8

Survival in Auschwitz, chapters 9-16; topics for third paper will be distributed in class

 

Week XII

Camus, The Myth of Sisyphus, An Absurd Reasoning

Sisyphus continued, The Absurd Man, Absurd Creation, The Myth of Sisyphus

 

Week XIII

Borges, Selected short stories; third paper due in class

Calvino, If on a WinterÕs Night a Traveler, chapters 1-6 (pp. 3-139)

 

Week XIV

If on a WinterÕs Night, chapters 7-12 (pp. 140-260)

Wilde, The Importance of Being Earnest

 

Week XV

Stoppard, Travesties

Coetzee, The Lives of Animals

 

Week XVI

Film: Woody Allen, Crimes and Misdemeanors

Leftovers, Wrap-up; topics for fourth paper will be distributed in class


Back to top

Back to Main Menu